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Lair of the white worml movie movie#
Instead of actually filling the movie with interesting side characters, complex subplots, Russell has instead opted to fill the film with a half-naked beautiful woman (which is always good but doesn’t make a film good), a bunch of unnecessary dream sequences, and poor writing. How this could be considered a horror film is beyond me? I know little of Ken Russell’s career but under his direction this movie just falls flat on nearly all fronts. Stanislas Syrewicz does decent enough job with the music although there are some sections where it does feel a little heavy handed. It’s subtle in its approach to character interactions which make conversations meaningful.
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Yeah, it’s got the cheese from those eighties horrors set in the country side but because it’s this it works. There’s no blood, no gore, although there is a good shot of a vampire who got cut in half. The snake-god effects were okay but wished it had more to do.
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They look shitty, are confusing, and is quite unnecessary. I don’t understand the choices for the dream sequences. The set pieces are good and feel like they tell a story of their own. The exceptionally long fangs looked ridiculous. The vampire makeup is okay though it’s a little exaggerated. But in terms of giving us an interesting villain that’s crafty, the film is seriously lacking. Was it worth seeing Donohoe naked and in dominatrix outfits? Hell yes. I did like Donohoe but felt she had little to do. I really liked Davis and thought she stood out amongst the cast. The performances are decent enough, the main cast includes Amanda Donohoe, Hugh Grant, Catherine Oxenberg, Peter Capaldi, and Sammi Davis. Why the entire time she’s acting like a snake and making these snake puns? Snakes-and-ladders, really? Good idea for a villain but man did the writer drop the ball on this one. If you couldn’t see that she was the villain, you’re practically blind, deaf, and dumb. Also, if feels like the writer thinks audiences are dumb. We don’t even get to see herr origins or her motivations. But she’s literally given nothing to do and what she does isn’t interesting. I think she’s beautiful and she has presence. As for our villainess Sylvia, she was hit or miss. It felt contrived and made little to no sense. They are believable and it’s easy to like them, though I’m baffled at James’ sudden obsession with his lineage. They have lives with meaningful relationships. (2 out of 5)įor the most part the characters are okay who include archaeologist Angus Flint, sisters Mary and Eve, and the current Lord of the Manor James d’Ampton. And the fact that we get virtually no backstory on Sylvia is just an injustice. And if it supposedly does add to the story, it’s so confusing what’s happening that the point just gets lost. There are scenes that happen that make absolutely no sense and give nothing to the main story. But there’s a serious lack of tension, a serious lack of buildup. There’s a good amount of time to build the main characters. Unfortunately, this isn’t one of those films. I like movies where vampires come into town and start creating havoc. The story isn’t bad but the execution is poorly done. Loosely based on the Bram Stoker novel of the same name, the story picks up after an archaeologist uncovers a strange skull in a foreign land, the residents of a near-by town begin to disappear, leading to further inexplicable occurrences. The Lair of the White Worm is a 1988 horror film directed by Ken Russell ( The Russia House), starring Amanda Donohoe ( Liar Liar), Hugh Grant ( Cloud Atlas), Catherine Oxenberg ( The Omega Code), Peter Capaldi ( Doctor Who), and Sammi Davis ( Mona Lisa).